“Achilles’ Tendon “puts Noa Dar in the front row of dance creators in Israel. This is a mature work of art. Its movement language is original and its human contents speak to all of us. While only an hour long, this work holds a full world. The longing for human contact and touch receives hear a very warm and exciting expression”
(Elyakim Yaron, “Ma’arive”, January 2000

“The innocent simplicity becomes a series of exiting, rapid encounters, demonstrating dazzling physical control”.
 Gabi Eldor, “Ha’ir”, December 99

“In“Achilles’ Tendon,” Noa Dar turns the tables. She puts movement at the center, as the driving force not only of the body, but of the soul as well. The result is a very moving dance, deciphering the essence of dance and the secret of its everlasting success.”
 Zvi Goren, “Metropolis”, December 99

“…Dar seems as a strong candidate to enter in the future to the “super team” of creators deserve the definition of “inventors of language in dance” in the world’s dance scene, (together with Martha Graham, Pina Baush, Bill Forsyth). .. Dars’ movement language dose not look like nothing ells… also the way that Dars’ works holding the stage (the design, the transitions between the scenes, the mixtures of text and theatrical parts, the preoccupation with concrete themes) and the spectator’ eyes-  is unique only to her…”
Saar Dayan, “Ma’ariv“